In the late 1980s, this actress became a household name, charming viewers with her sharp humor and larger-than-life personality on one of television’s most popular sitcoms.
But as her fame grew, so did behind-the-scenes tensions and public ridicule over her weight.
However, through it all, one constant remained: her husband’s steadfast love. While the world fixated on her struggles, he offered her strength and support, helping her rebuild her life away from the limelight.
The actress at the premiere of “Murder Me, Murder You” in 1983. | Source: Getty Images
A Promising Career Overshadowed by Public Scrutiny
In 1986, this actress landed the role of Suzanne Sugarbaker on the hit sitcom “Designing Women,” where her striking charisma and sharp comedic timing brought her fame and admiration.
With her quick wit and undeniable charm, she won over audiences and seemed destined for a long, successful career. Yet, as the spotlight brightened, the pressures of Hollywood began to take a devastating toll on her mental health and self-esteem.
The famous actress and the cast of “Designing Women” circa 1987. | Source: Getty Images
Behind the scenes, the actress was struggling with depression, a battle she had faced since her teenage years. By the end of the show’s second season, the condition worsened, leading to periods where she would isolate herself completely.
“Basically, I would shut down and hole up,” she later revealed. “I wouldn’t want to leave the apartment until I came out of this dark place. It was very debilitating.”
The “Designing Women” star and her castmates filming the popular series in 1987. | Source: Getty Images
Her struggles became more apparent during the show’s fourth season, as crippling panic attacks began to affect her work. These episodes were terrifying, often causing her entire body to spasm.
Her co-star and close friend Dixie Carter would lay beside her and reassure her during these moments, offering much-needed comfort.
The actress as Suzanne Sugarbaker in “Designing Women” circa 1987. | Source: Getty Images
Despite these personal battles, the actress pushed forward in her role, but her weight gain soon became a target of relentless media scrutiny. As her figure changed, tabloids mocked her appearance with cruel nicknames like “Delta Bulk.”
The harsh coverage was emotionally devastating. “The tabloid machine tortured [her],” co-star Annie Potts later said. Reflecting on the public’s obsession with her body, the actress, a former Miss Florida, questioned why she was subjected to such ridicule.
The famous actress on the set of “Where the Hell’s That Gold?” in 1988. | Source: Getty Images
“I didn’t do anything to deserve this. Why are they so cruel?” she asked. She compared her struggles to those faced by icons like Elizabeth Taylor, noting that many women in Hollywood were harshly judged for gaining weight.
The star’s depression and public humiliation drove her to food for solace. “When I would be depressed in L.A., it would be, ‘Let’s just have one Stouffer’s macaroni and cheese after another,’” she admitted.
The ’80s TV icon circa 1989. | Source: Getty Images
The weight gain, however, wasn’t just about physical hunger. It symbolized deeper emotional struggles that she couldn’t resolve. Over time, the actress’s weight eventually climbed to 215 pounds, sparking tension with the show’s producers.
At one point the actress asked to be released from her contract, physically and mentally exhausted. “I wanted to leave, and I wasn’t allowed to leave,” she stated. Showrunners pushed to have her come back to the series.
The star filming “Designing Women” in 1990. | Source: Getty Images
Instead, a concerned friend admitted her to a hospital. “The nurse said I looked like a wounded animal. I didn’t really want to exist. I remember they weighed me and I was 170 pounds, and I wanted to die,” she revealed.
The Hollywood star filming “”Designing Women” circa 1990. | Source: Getty Images
Amid these challenges, things were looking up for a moment. Not wanting to add fuel to the fire, according to reports, the actress “backed off” once reports about her weight emerged.
Instead, she turned to the show’s creator, Linda Bloodworth-Thomason, with a bold idea — to address her weight gain in an episode of “Designing Women.”
“I didn’t want to help them hurt me. I was also getting frustrated playing Suzanne. I wanted to show another side of her. I went to Linda and talked to her about doing a show on the weight,” the actress revealed.
The result was the groundbreaking storyline “They Shoot Fat Women, Don’t They,” where her character grapples with body image issues.
The “Designing Women” star at the 5th Annual American Cinematheque Award Honoring Ron Howard in 1990. | Source: Getty Images
The episode was a critical success, earning the actress a standing ovation from the studio audience and her first Emmy nomination. It was later revealed that Bloodworth-Thomason’s husband cried while reading the script.
Despite this success, the tensions behind the scenes continued to mount, and in 1991, the actress was let go from the show. The impact of her dismissal was profound.
The Hollywood star at the taping of Bob Hope’s TV Special “Bob Hope’s Yellow Ribbon Party” in 1991. Source: Getty Images
Feeling rejected by Hollywood and abandoned by an industry she had poured her heart into, she retreated from the limelight. She and her husband sold their home in Pasadena in 1995 and moved to New Orleans for a fresh start.
The famous actress, circa 1995. | Source: Getty Images
The move was a turning point in her life, allowing her to step away from the pressures of Hollywood. There, she embraced her identity and created a clothing line for plus-size women, later writing her memoir, “Delta Style: Eve Wasn’t a Size 6 and Neither Am I.”
The actress photographed at the Mark Hotel in New York in 1995. | Source: Getty Images